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August 31, 2006

Defending "Old" Media

I have written previously about how I feel modern reporting is excessively under fire and brings more value than many believe. I have also defended this view against some hostile forces such as diplomatic staff and spouses and high school students.

Lately still more critics have been contending that "old" media is on its way out. I'll admit, the newspaper industry needs to do a better job of focusing on new delivery methods for its content; The Economist has some good thoughts on that subject.

But it's one thing to criticize a business model, quite another to criticize long-standing methods of gathering and reporting news. That's why these two examples of "new" media got under my skin.

The first is relatively harmless. Wired News, which is a fascinating read but has never exactly been known for journalistic objectivity (like Fox News, they preach to the converted), is experimenting with "wiki" journalism. They've posted a story written by a reporter and they are inviting anyone who wishes to edit it. (At least they ask that the quotes not be changed; how sad they even have to mention that!)

Now I think this is relatively harmless, because it's bound to fail. We've learned that Wikipedia has evolved a heirarchy of contributors and that structure provides at least the hope of semi-quality work; the Wired story will only be as good as its last editor, who could be a nutjob. As someone who was self-employed for six years as an editor, I can't imagine why somebody who is truly competent at that job -- and it is a skilled position -- would waste her talents doing for free what Wired pays others to do. The people who will volunteer will likely think they are far better editors than they really are, and I suspect Wired will pull the plug on this before whatever reputation they have is gone.

This other venture I suspect will also fail, but it offends me more because it shows such a disregard for journalistic principles and editorial standards. It also raises an important question: Does Craig Newmark's paperboy throw his newspapers into his koi pond? If there's a better explanation for his hostility to modern media I'd like to hear it.

Newmark has done more than perhaps any other individual to undermine the finances of the newspaper industry through his free online classifieds service, Craigslist. While bad for newspapers, Craigslist has been good for consumers. Now, however, Newmark is banking on an online venture that will have reporters investigate news only after volunteers have assigned the stories and put forward the funding. This won't be good for consumers. The only likely winners will be well-heeled Internet activists with axes to grind, and savvy public relations officials who bankroll flattering stories.

This "open source" model of journalism, called New Assignment, comes to us from New York University's Jay Rosen, whose reporting background is limited to a college internship. Rosen, with Newmark's money, is creating NewAssignment, where anyone can put forward a story suggestion. Any idea that receives sufficient donations is adopted. A freelance reporter is hired to write the piece, working closely with the web surfers who suggested and funded the story.

Rosen writes that NewAssignment will produce "stories the regular news media doesn't do, can't do, wouldn't do, or already screwed up." He says reporters will work hand-in-hand with online "smart mobs," performing "journalism without the media" but instead with "the people formerly known as the audience." Let's not forget that the smart mobs Rosen refers to are in fact largely a reactive force. A careful reading of political blogs reveals that new lines of discussion frequently are prompted by a newspaper article. If what is on the mind of a smart mob member more often than not is triggered by the mainstream media, why would we count on them to come up with original story ideas?

Still, with the Internet Rosen has found the right place to enlist participants hostile to modern media. "The liberal media is out to destroy our president and our country!" "Our lazy media reprints lies fed it by the Establishment!" That is what members of the "smart mob" routinely post in the comment fields of political blogs.

I'd like to place a bet here - the first story that is pitched and funded at NewAssignment will be an expose on George W. Bush, with the imaginative premise that his ties to the oil industry led us into Iraq. That will trigger the pitching and funding of a second story, one that seeks to document Hillary Clinton as a politician to the left of Vladimir Lenin. I wouldn't want to be the reporter working either of those assignments. Nor would I enjoy the repercussions if the story I produced didn't match the predetermined conclusions of the smart mob, my financiers.

Rosen says reporters don't listen to the average Joe. But no self-respecting reporter would overlook a source with information, whether that source is a high government official or simply someone who knows someone. The advantage of a newspaper reporter, however, is that she and her editor can sift through the sources and facts, make determinations on credibility, and move forward accordingly.

What is a NewAssignment reporter or editor to do when given questionable, possibly biased information by a source, and that source is also the assignment editor and the principal source of funding? Perhaps Newmark is disillusioned by recent newspaper plagiarism scandals. Who isn't? Perhaps he feels reporters are too biased or too passive. Some likely are. But handing over control, from funding to assignment editing, to any individual so inclined to visit a web site does not seem to me a positive direction for journalism.

It's a large leap from Newmark's current web site, which helps one find an inexpensive futon, to the one he's funding now, claiming to provide reliable, unbiased investigative journalism while handing power to the unaccountable. Newspapers have a tough challenge ahead determining how to maintain a positive cash flow in a disaggregated digital economy. Changes will have to occur. But those of us who are consumers of news should want newspapers, and the journalists and editors they employ, to succeed.

It does no good undermining traditional journalism by making grandiose claims about "smart mobs" and "journalism without media." And the 21st century business model for journalism should not include forcing editors and reporters to solicit financial support, while empowering those supporters to provide editorial input from story assignment to final publication.

August 28, 2006

The Aspen Summit

Just returned from a week in Colorado, never sleeping below 8,000 feet. Good to be back at sea level.

But I should note that the primary reason for my trip was The Progress & Freedom Foundation's 2006 Aspen Summit. It was quite an affair, with speakers such as FCC Commissioner Jonathan Adelstein, Disney-ABC Television Group President Anne Sweeney, Qwest Chairman-CEO Richard Notebaert and Qualcomm co-founder and chairman Irwin Jacobs. FTC Chairman Deborah Majoras made news, announcing the launch of a task force that will clarify the Commission's regulatory authority over broadband, key to the net neutrality debate.

All of the Monday and Tuesday panels and speeches can be seen in webcast form, including my Tuesday afternoon panel featuring nine public officials -- 4 senior Hill staff, 2 FTC senior staff, one senior Commerce Dept. official, one State Dept. ambassador, and Vice President Cheney's domestic policy advisor.

Anyone wishing to know more about the Summit or PFF should feel free to contact me.

August 18, 2006

Wikipedia Strikes Back

This story gets stranger and stranger. Look at the latest shenanigans on Wikipedia and Battista Agnese in this post I did on IPcentral. I definitely have fallen through the looking glass.

August 15, 2006

Wikipedia Speed

Well, after noting that there was no Wikipedia entry for Battista Agnese, someone named "Gregorrothfuss" posted one, and two minutes later "Dekimasu" edited it. The summary of Agnese wasn't bad. I found it hard to believe that someone reading about its absence in my blog entry could perform so quickly the scholarship required to write an original piece. I was right. It's lifted nearly verbatim from a site that appears #1 when you do a Google search for "Battista Agnese." The site's Battista entry is here; it's part of a General Maps collection hosted by The Library of Congress. Reliable site, but there's no mention on the Wikipedia entry of The Library of Congress, the General Maps collecion, or its page on Battista Agnese. It appears I've found more evidence of Jim's derivative theory of Wikipedia content.

Oh, for now the Wikipedia entry still isn't anywhere near the top of a Google search; I went through the first 100 entries and saw nothing (it's possible Google's spiders haven't saved it yet). But how long until this derivative post supplants the Library of Congress entry in the top spot?

Wikipedia and The Short and Long Tails

Picking up on the exploration of Nick Carr (here and here) and Jim, involving the notion of Wikipedia entries showing up very high in search engine results of short-tail topics, I decided to go down the tail slightly more. As some know, I have a hobbyist's interest in cartography, particularly from the 16th and 17th centuries. So I put in some keywords in Google of well-known cartographers, as well as a few fictional locations that showed up on maps, the name of the first-ever atlas, and the name of the inventor of the clock that permitted the recording of longitude at sea.

Vespucci: #4
Waldseemuller: #2
Vinland: #1
St. Brendan's Island: #2
Prester John: #1
Mercator: #1
Hondius: #1
Blaeu: #7
Theatrum Orbis Terrarum: #2
Ortelius: #2
Terra Australis: #1
John Harrison: #1

Some of these, like Mercator, are pretty common terms in today's society, but some definitely are not, yet all are top 10 results. I was particularly disturbed that "John Harrison" didn't pull up at #1 the brilliant and fun-to-read book Longitude by Dava Sobel.

Nick searched for World War II and sex, and they were high. That could be explained by many people having opinions on those subjects, expanding the entries to make them more robust, and leading more sites to link to the entry. But what about Ortelius and his atlas, "Theatrum Orbis Terrarum"?* Why are they, which must be further down the tail from "sex," also high? My theory, and it's only that, is that few people would be motivated to post information on that topic online, but at least some of them might enjoy the vanity exercise of creating and maintaining a Wikipedia entry.

Also, I suspect there are people who actually use Wikipedia to learn about things, and might look up Ortelius there, creating traffic and links. (Something to be said for being first-to-market.) Also, Wikipedia seems inclined to create unique entries for things that many thinking people wouldn't necessarily believe needs a unique entry. For example, you can find a separate, detailed page on every single episode of Family Guy, including the first. Yet they don't have every episode broken out of F Troop, although they do have a page devoted to it.

With that in mind, I decided to go a bit farther down the tail. I searched for Battista Agnese, a relatively obscure Italian cartographer of the 16th century. Most of the great cartographers of the time were in Antwerp or Amsterdam. Agnese's sales didn't really extend far beyond the landed gentry of Italian city-states, who liked his portolan-style navigational maps and hung them on their walls (they were really far too ornate to have been favored by sailors). I'm fascinated by him, though, because he dabbled in world mapping, and seemed to be ahead of many of his peers on certain geographical details. No one knows where he was getting his information, or why he didn't more aggressively try to commercialize his insights. Anyhow, I did a Google search on "Battista Agnese," which told me there were 187,000 entries. Serious Google users know those numbers are meaningless, but it's interesting that it's a relatively small number; World War II gave me 242,000,000. After five pages of results I still saw no Wikipedia entry. So I searched for Battista Agnese on Wikipedia. It told me there was no entry but I was willing to create one.

I am not. But I suspect someone is. In fact, I'm sure once a Wikipediac sees this, he'll rush to create one. Even if he has never heard of Battista Agnese, it won't be difficult to find the content to fill the entry -- after all, Google says there are 187,000 entries on him. And thus Jim's theory on derivatives, and my own experience with derivative content on Wikipedia, will continue. Wonder how long it will take that entry to make the Top 10?

* Side note -- a collection of maps depicting the world wasn't called an atlas then. Ortelius' friend Mercator also was developing such a compilation, something never published before, but Ortelius beat him to it. (Some say Mercator let him, as Mercator was also perfecting the projection named for him that many of us stared at in school every day, where Greenland is larger than South America. Yes, it distorts land at the poles, but it allowed mariners to draw a straight path from A to B, which is helpful for sailing.) A few years after Ortelius published a collection of maps made up mostly of others' maps, Mercator published his own collection heavy with his own maps, and called it an "atlas." The name stuck.

August 10, 2006

Amen, Brother!

I'd love for Judge Edward Fadeley, Retired Associate Justice of the Oregon Supreme Court, to read my Blog Manifesto.

Here's what he wrote Tuesday:

Today's blogosphere is a veritable Wild West of verbal ambushes and shootouts, with very little fear of legal recourse to keep character assassination, defamation and dirty business tricks in check.

It's an area of the law that desperately needs serious attention. Self-proclaimed "experts" and "journalists" abound on the Internet. "Web logs are the prized platform of an online lynch mob spouting liberty, but spewing lies, libel and invective," wrote Daniel Lyons in Forbes.

Most peculiar that he sent it out in a press release, and it rambles on about corporate libel, blogging criminals, and whatnot. But I love the opening above.

August 08, 2006

Fame and... well... Fame

I suspect that many artists, when daydreaming, are longing for both fame and fortune. Sometimes the CopyLeft, which feels it's spent too much on music, seems only to want the former for artists, as I've written and said. I've also argued that the Internet provides new ways for start-up artists to make a name for themselves and even sell their own works outside the traditional major-label universe. I still believe that, but I never said it would be easy.

Take The Scene Aesthetic, two young men from Washington State -- Eric Bowley and Andrew de Torres -- who the Wall Street Journal notes today have become "rock stars on the Web--and virtually unknown anywhere else." Their MySpace page has been visited 2.3 million times and lists more than 124,000 "friends," or links.Their album has been listened to on PureVolume.com 1.3 million times, and a video of theirs has been viewed on YouTube.com more than a half-million times.

Well, let me quote briefly from Elizabeth Holmes' story:

Messrs. Bowley and de Torres don't earn any money from the millions of clicks. Fans can't download the music from these sites, but they can listen or watch free as many times as they like. So while the pair of vocalists are scraping by and sleeping on fans' basement floors, their band is getting the kind of recognition in the virtual world that few acts can dream of offline--all without a major recording label or radio play.

They've done it--they've developed a devoted following. They're famous, in a subset of our culture anyway, the Internet. Those who embrace the "Wealth of Networks" view of life should think they're happy; they have produced something that others value and are enjoying, and they're getting recognition. What more could they want?

Maybe to be able to afford a hotel room after a show.

Of course, some in the CopyLeft have argued that paying for music itself is dead; artists should make their money from performing. Well, The Scene Aesthetic is trying. Recent gigs took place in the Wilton (Conn.) Teen Center, Todino's Pizza in Bloomington, Ill., and Blue Ridge High School in Pinetop, Ariz. (I didn't know Pinetop was big enough to have a high school.) Between tickets and merchandise sales (apparently their T-shirts are more popular than their albums, not surprising since their album is available for free online but their T-shirts aren't), they and the two other bands they tour with gross about $600 per gig. Now you see why they crash on the floor of fans' houses.

Bowley is excited about his success and he should be. When I was his age (20) I was in a group that toured the Southwest. We performed at schools, social clubs, malls, anywhere we could get a gig. We made enough to buy pizza and beer, and yes, we crashed on the floors of people's homes. We felt we had hit the pinnacle of success, just being able to fill the van's gas tank and move on to the next gig (you don't want to know what that van smelled like by the end of the tour).

The Scene Aesthetic may have more going for it than my old band. If so, the artists in it deserve to reap rewards for their creativity. The tool for reaping that reward is IP. I have friends in bands that give away their music online; that's a fair way of promoting it. But what will The Scene Aesthetic's fans do if they don't post their next album for free on PureVolume.com? What if they move beyond MySpace and set up a commercial web site with 99-cent downloads or mail-order CD options? Will their fans pony up? Will they accuse Bowley and de Torres of being sellouts? Will they just shrug and search for a new good band on the free sites?

Have we created a generation that thinks music should always be free?

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